【tianlalu永久入口】反战不必多说重点在于Satoko在特殊时代下却拥有其主体性而究其蜕变来源基于观看的动作:舞台感自然是强调“演绎”的刻意为之光影成为重要的心理叙写机制顺滑运动与丰富细节同那段“戏中戏”形成对比:我们观看他人隐匿于黑暗之中的观看这也得已解释为何她最终仍是一个“Wife of a Spy”的“方法派”演员女性的时代之殇和关于目光的强力隐喻-触碰银幕
“I’m not very good at watching myself because I always end up in despair… I think a lot of people think maybe acting is about showing off yourself but actually, well I do it to escape me. And then you watch a film and go, “oh it’s still me again”. “ HCB // “I feel like people are waiting for me to screw up.” Emma // amazing dwarfs.